Bach Bibliography
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Author : Collins, Denis
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TypeListTitle[further info]SeriesVolNoYearPagesStatus
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1. First performances of Bach’s St. Matthew Passion and Mass in B minor in Australian states and territories. AustralianMResearch 17 2018 218-221
2. J.S. Bach in Australia: Studies in Reception and Performance. AustralianMResearch 17 2018 xiii, 266p
3. Historical Precedents for Bach's Evolutio Canon BWV 1087/10. Bach 24 1 Spring-Summer 1993 5-14
4. Musical Terminology in the Canonic Works of Bach: An Historical Context. Bach 26 1-2 1995 91-101
5. Bach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources. Bach 30 2 1999 27-48
6. Bach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century. Bach 33 2 2002 15-34
7. From Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering. Bach 38 2 2007 39-63
8. Taneyev's Theories of Movable Counterpoint and the Music of J. S. Bach. Bach 46 2 2015 22-45
9. Spiegel-Kontrapunkt in Theorie und Praxis: Vorläufer für Contrapunctus 12 und 13 aus Bachs Kunst der Fuge. BachJb 82 1996 77-92
10. 'So you want to write a canon?' An historically-informed new approach for the modern theory class. ColMSymposium 48 2008 108-123
11. Cognitive-perceptual effects in music: Shepard tones and the Canon per tonos from J. S. Bach's Musical Offering. [cr]IMS1997 2000 619
12. An Unusual Effect in the Canon per Tonos from J.S. Bach's Musical Offering. MPerception 19 2 Dec 2001 141-153
13. Cognitive-perceptual effects in music: Shepard tones and the Canon per tonos from J. S. Bach's Musical Offering. [p]IMS_London Aug 1997
14. Compositional Strategies for Invertible and Stacked Canons from Zarlino to Bach. [p]MSA_Newcastle Oct 2002
15. Canon and Music Pedagogy 1500-1800. TheoriaTexas 8 1994 53-72

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